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Crazy Credits. Alternate Versions. Doctor Who — Rate This. Season 15 Episode All Episodes Instead of being a lifeless rock, there's scented air, massive buildings, six suns, a human population subjugated by crippling taxes from a Director: Pennant Roberts.
Writer: Robert Holmes by. Available on Amazon. Added to Watchlist. Major Comic-Con Home News. Doctor Who: Season Favorite and least Episode from each doctor Doctor Who.
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Edit Cast Episode credited cast: Tom Baker Doctor Who Louise Jameson Leela Richard Leech Gatherer Hade Jonina Scott Marn Roy Macready Cordo William Simons Mandrel Michael Keating Goudry Adrienne Burgess Veet Carole Hopkin Nurse John Leeson K9 voice Rest of cast listed alphabetically: Henry Woolf Edit Storyline The Tardis lands on Pluto in the far future.
Edit Did You Know? However, Kasparov never played Fischer. It is probable that the set-up was based on another match, perhaps the World Chess Championship between Fischer and Boris Spassky.
Quotes Leela : These 'taxes', they are like sacrifices to tribal gods? The Doctor : Well, roughly speaking, but paying taxes is more painful. Was this review helpful to you?
Yes No Report this. Add the first question. Edit Details Country: UK. Language: English. Sound Mix: Mono. Color: Color. Edit page. The Doctor says the Droge of Gabrielides offered a whole star system for his head.
The Company holds records on the Doctor's activities: he has a long history of 'violence and economic subversion'. The Gatherer employs many amusing forms of address for the Collector, including not only 'your Excellency' but also such gems as 'your Magnificence', 'your Sagacity' and 'your Enormity'.
Michael Keating, now better known for his role as Vila in Blake's 7, plays the rebel Goudry. There are a number of Aztec influences in the story's costume and set designs - most notably in the Gatherer's crested hat, the badges worn by Company executives and the large 'sun god' symbol suspended at the back of the Gatherers' office.
These were a nod toward the original intention of set designer Tony Snoaden and costume designer Christine Rawlins to base their work on Mexican propagandist art, an idea that had been vetoed by director Pennant Roberts.
When the Gatherer is to be thrown off the roof by an angry mob, his exclamation and facial expression suggest someone who's watched too many Kenneth Williams films.
The Doctor's political asides 'Probably too many economists in the government! Robert Holmes' time as script editor of Doctor Who is notable for the number of stories that he wrote or heavily rewrote himself, so it is fitting that it should have ended with another; and The Sun Makers provides a further excellent illustration of why many commentators regard him as one of the finest writers the series ever had.
It is the high level of sophisticated humour in the story that really sets it apart from those around it; in fact this is arguably the first story since season three's The Myth Makers to make humour its central focus, almost its raison d'etre.
Holmes uses a fairly straightforward, even cliched science-fiction backdrop - that of a group of oppressed humans struggling to free themselves from the tyranny of their alien masters - to make what is in essence a wickedly barbed attack on bureaucracy and, in particular, the UK tax system as administered by the Inland Revenue.
The Gatherer was an amazing character, and his speeches especially to the Collector were very funny, run through with irony. The story was an example of how action and humour can be combined to make a point in an entertaining and thoughtful way.
I liked the way the Gatherer was flung from the building, refusing to believe that rebellion was possible, demonstrating that he was just as much a pawn as the work units very reminiscent of Andrew Pixley, reviewing the story in In-Vision Issue 27, dated October , also thought that the humour worked extremely well:.
The D-grade's discovery that the death tax has risen is also reminiscent of all those times when the everyday man finds that the rules set by officialdom have changed, and that ignorance of the law is no excuse.
The BBC's Audience Research Report on the story's second episode suggests that it was greatly enjoyed by most contemporary viewers: 'In general, they warmly welcomed the more realistic, less "fantastic" nature of the theme widely interpreted as an "expose of super monopoly capitalism" , felt the story was well developed, intriguing and exciting, and liked the "more recognisable characters", considering them a nice change from monsters.
In short, it was in their opinion, entertaining and even compelling viewing, which was "well up to the usual high standard of Doctor Who adventures".
However, a substantial minority of the sample were less enthusiastic. They were in most instances unimpressed by this "departure from the outer galaxies and weird creatures", often feeling that a "new view of the future" was needed in order to retain the initial originality of this long-running series.
Whilst they did criticise the story as "too far-fetched to be anything other than childish" and frequently condemned the characters as utterly stereotyped "straight out of a third-rate Mikado" , most apparently thought it a fairly average "sci-fi" story in which "goodies fight the baddies, as always" and rated it as such.
The Report continued in a generally positive vein - indeed, this was to be perhaps the most positive of any produced on the fourth Doctor's episodes - and noted that the production values were highly acclaimed: 'The large majority thought the acting and the production "as good as ever" and rated both highly.
Whilst several viewers liked what they saw as the "tongue in cheek" approach of the cast, most detected no change from the normal and thought the acting "of the usual high standard".
Louise Jameson Leela was singled out for special praise for her performance in this episode, many feeling that she was more assured now than she had been previously There was particular praise for the imaginative and ingenious sets and costumes, which were in many viewers' opinions a welcome change from the disused quarries and dull army surroundings which have "featured so often of late", and some especially liked the introduction of K9.
K9 drew a particularly enthusiastic response from children in the BBC's sample who as usual had little but praise for the episode in general and it does indeed fit in quite well in this story - despite its obvious technical limitations.
It is however impossible to imagine K9 having worked in the context of one of the gothic horror stories produced by Philip Hinchcliffe, and its adoption as a regular in this season gives a good indication of the lighter, more fantastical quality that the series took on under Graham Williams.
Both stories parody aspects of contemporary human society. Yet by comparison the latter seems to hammer its point home with all the subtlety of a bolt from K9's nose.
The content has little to do with this - it is the production style alone which makes this adventure more fitting for the label "family viewing" than its dozen or so predecessors.
Which perhaps just goes to prove the old maxim that it's not what you say, it's the way that you say it.
Pixley summed things up well: 'The Sun Makers was a breath of fresh air. With its wacky dialogue and dose of Holmesian characters the story was a complete change from the dark intensities of Fetch Priory and Fang Rock, and even the fantastic voyage to the Bi-Al Foundation.
Now it stands up as a clear indication of what was to come. Howe and Stephen James Walker. Home Explore the BBC. This page has been archived and is no longer updated.
Find out more about page archiving. The Classic Series. Episode Guide. Photo Galleries. Episode Endings With Leela held hostage by the rebels, the Doctor is forced to attempt to withdraw some money - a thousand talmars - from a consumbank booth using a stolen and forged consumcard.
Roots The Space Merchants. Cartier's the first shot is identical. Brave New World. The Iron Sun. Robin Hood. Isaac Asimov's Nightfall.